- Director: Nguyen-Anh Nguyen
- Actors: Osric Chau & Yue Qi
- Sound design, Musical Score: Cult Nation & Kannibalen Records
- Time: 9:14 Release: Released on Vimeo February 29, 2015, premiered in 2015
- Notes: For more info, visit thefilmeffect.com/temple
“2045 A.D. A new genetic disease is causing humans to reject their own organs. Cybernetic enhancements are the only means to survive. One desperate man is forced to steal cybernetic implants to save an innocent life.
A beautiful combination of great VFX, sound, scripting, and editing.
The story content itself is a reinvention of several dystopian concepts left from the past 80s/90s era of sci-fi urban cyberpunk fiction. One being the idea of the failures of genetic enhancement, though in this setting the enhancements are necessary for survival. I can only wonder what kind of genetic diseases could lead to this sort of necessity. Another being the idea where technology wins and surpasses humanity, as we see not only the boost of tech in humans but in vehicles and city development as well. The “filthy air” and “flood” are hints and perhaps warnings towards continued harm to our global environments.
Then we have a major theme and moral dilemma for the sake of drama. Our main character and narrator cares little for the opponent, as we have little back story from him other than his want to survive and fight back. He takes no joy in the fight, as he must save another he cares for from dying. In this cruel world, we ponder his moral judgement in the choice of who lives and who dies, based on his martial arts skills. Yet here we are, and can hope for a happy end beyond the nine minutes shown.
The martial arts action is great though not as necessary I think to the overall story. We have a feeling we know who the winner will be and that may deescalate where the overall tension goes. Yet, the brutality and gore result does heighten the gritty mood and shock of the violence this world brings. There is a high degree of nihilism we get from the feeling where “we all have to become monsters.”
The music is very captivating, with elevated electronica mixed with ambiance and tension. The audio set mood feels established for the grit and futuristic noir. The visuals of deep colors and grainy filters used with timed depth of field techniques feel suitable, feels modern to this era of indie filmmaking. These are good things. Together with the great editing and cinematography present, I can envision a full movie worthwhile for independent audiences looking for hard-sci combined with meaningful action sequences.
Overall, a great watch that serves enough as a standalone tale leaving much open. This would be a great prologue to a large story where perhaps the woman is the main protagonist, and perhaps a more cheerful ending. I can hope someday for that bigger story.
– Orion T