Laws of the Universe
- Director: Chris Mangano
- Writer: Adam Aresty
- Published: June 25, 2020 as a short film exclusive from DUST
Synopsis: An inmate is trapped in his prison cell after an extraordinary circumstance happens beyond his prison walls. With outside forces threatening the ones he loves, he will do anything it takes to escape.
A most interesting story about a young man serving his time, but looking to make a change, biding his time for the future, excepting his isolation in the meantime. But, he doesn’t seem to be a cold-blooded killer, and has a kind heart with humane prospects, as we see though aspects of his room decor and phone conversations. He killed someone, but for reasons that suggest his own sense of justice, but he lives with the guilt in a system that judged him.
But a much bigger story in the outside world changes the conditions of his small room within, by too much. I love the contrast of those outside his micro prison, seemed to be affected less. He is forgotten, and you see his agony through a low deprivation of food, electricity, contact.
But he sees on chance for a way out, though someone who seems to care less for his plight, but with the means for an escape. He goes for his one chance through alien tech, and its gratifying when he takes advantage. The tech at the same time, is a tool of a different system, granting him that much needed extra chance. But to get that, he uses the one thing he does have to his advantage, and that’s the fear he conveys as an imprisoned Black male. That works very well.
What happens is the important resolution of this story, just be his freedom, and that’s enough. But, I also like how he holds on to the alien tech, as a sense of newfound responsibility, likely will put it better use than the former user, who I think probably stole it. Still, there’s much potential for more story with this odd new tech. Many problems can be solves, and created with this.
I love the acting, done very well by the star, Sidney Lawrence Brown, Jr. The use of light, angles, spacing with much of the film being restricted to a very small. And, then the refreshing contrast at the end, to a beautiful, very open world where the alien ship places little less.